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snakeblight:
“ONEOHTRIX POINT NEVER - AGE OF
”

snakeblight:

ONEOHTRIX POINT NEVER - AGE OF

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mikaeled:

Clementine, where are we?

Tags: Westworld
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zehstern:

dan simmons | the terror

(via theterroramc)

Tags: The Terror
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nicealbumcovers:
“Persona by Rival Consoles
”

nicealbumcovers:

Persona by Rival Consoles

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daenerys-stormborn:

Westworld x Shogun World counterparts

(via mikaeled)

Tags: Westworld
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theterroramc:

The Terror Series One (AMC, 2018)

“In 1845, two Royal Navy ships left England in an attempt to finally discover a navigable passage through the Arctic. They were the most technologically advanced ships of their day.
They were last seen by European whalers in Baffin Bay awaiting good conditions to enter the Arctic labyrinth.
Both ships then vanished.”

Tags: The Terror
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theterroramc:

Phantom faces at the windows
Phantom shadows on the floor
Empty chairs at empty tables
Where my friends will meet no more

(via theterroramc)

Tags: The Terror
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(Source: theterroramc, via theterroramc)

Tags: The Terror
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mikaeled:

You finished writing a book before the good part happened.

Tags: Molly's Game
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nourgelitnius:

What happens to us now? We die, maybe. And if we don’t die, then…well, that’ll be interesting.

(via expansedaily)

Tags: The Expanse
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amos-burtons:

Open up, or I’ll have Alex override!

Tags: The Expanse
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(Source: b99)

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deadlightcircus:

“War is an inherently unstable reaction of three things: intense emotion, politics, and luck. That message was luck. Maybe out there, away from all the politics and bullshit, luck opens a door and lets a couple of grunts figure out how not to fight for once.”

The Expanse
↳ 3x05 (Triple Point)

Tags: The Expanse
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(Source: b99)

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b99:

“We write some pretty dark, dark things on the show, but on the world of our show it’s — like, for example, the tooth-pulling scene. We refer to that as actually a very intimate scene. Practically a sex scene. It’s something that’s very gruesome and so hard to watch, but to us, I’m not even seeing him using pliers on her. I’m seeing intimacy. This [body-chopping] scene in particular, I viewed as really difficult and selfless and romantic and, also, tactical. But there’s a lot of emotion to it.“ Sarah Nolen, writer of “Harvest”

(via rustcohle)